Broadway Grosses w/e 9/03/2017 – Summer labors to an end.
Alert! You can’t wear white anymore.
Labor Day has come and gone, and like it always does, it boosted the slipping August grosses back up to more peak-like summer numbers.
Overall, the street was up 5% from the previous week. Some of that extra juice came from the departing Natasha, Pierre which, thanks to the folks who rushed to see The Comet disappear into the night sky, closed on Sunday to a tune of $1.1mm.
No shows crossed the $3mm threshold, however, which says demand wasn’t as high as it has been on other three day weekends. Is that a sign of what September is going to bring?
It might be. Although, a few shows are closing up shop (like the aforementioned Natasha, Pierre), meaning less competition for the remaining options. I’m feeling some weakness in the market which may make September a little cooler than we would like.
In the meantime, here are the grosses for last week!
Show Name | GrossGross | TotalAttn | %Capacity | AvgPdAdm |
1984 | $291,069.08 | 4,671 | 60.19% | $62.31 |
A BRONX TALE THE MUSICAL | $645,229.90 | 7,511 | 89.93% | $85.90 |
A DOLL’S HOUSE, PART 2 | $253,623.50 | 4,175 | 67.34% | $60.75 |
ALADDIN | $1,493,121.50 | 13,549 | 98.07% | $110.20 |
ANASTASIA | $943,919.18 | 8,496 | 92.91% | $111.10 |
BANDSTAND | $584,678.55 | 6,868 | 83.11% | $85.13 |
BEAUTIFUL | $808,927.19 | 7,728 | 94.15% | $104.67 |
CATS | $641,310.50 | 7,536 | 68.51% | $85.10 |
CHARLIE AND THE CHOCOLATE FACTORY | $937,986.00 | 9,804 | 81.92% | $95.67 |
CHICAGO | $636,655.00 | 7,610 | 88.08% | $83.66 |
COME FROM AWAY | $1,309,259.00 | 8,532 | 101.96% | $153.45 |
DEAR EVAN HANSEN | $1,683,308.40 | 7,967 | 101.21% | $211.29 |
GROUNDHOG DAY | $770,589.55 | 8,937 | 90.97% | $86.22 |
HAMILTON | $2,987,202.00 | 10,754 | 101.76% | $277.78 |
HELLO, DOLLY! | $2,273,239.92 | 11,636 | 100.59% | $195.36 |
KINKY BOOTS | $752,838.00 | 8,437 | 74.06% | $89.23 |
MISS SAIGON | $624,071.30 | 7,689 | 65.16% | $81.16 |
NATASHA, PIERRE & THE GREAT COMET OF 1812 | $1,183,227.52 | 9,057 | 99.48% | $130.64 |
PRINCE OF BROADWAY | $356,776.00 | 4,422 | 89.59% | $80.68 |
SCHOOL OF ROCK | $939,402.98 | 10,060 | 82.57% | $93.38 |
THE BOOK OF MORMON | $1,242,972.00 | 8,736 | 102.44% | $142.28 |
THE LION KING | $1,999,796.00 | 13,570 | 100.01% | $147.37 |
THE PHANTOM OF THE OPERA | $921,081.51 | 10,509 | 81.85% | $87.65 |
THE PLAY THAT GOES WRONG | $376,043.50 | 5,519 | 80.78% | $68.14 |
THE TERMS OF MY SURRENDER | $304,915.70 | 5,139 | 72.83% | $59.33 |
WAITRESS | $698,041.75 | 6,980 | 83.49% | $100.01 |
WAR PAINT | $565,516.50 | 8,180 | 87.54% | $69.13 |
WICKED | $1,674,670.00 | 13,799 | 95.46% | $121.36 |
TOTALS | $27,899,472.03 | 237,871 | 87.00% | $109.96 |
+/- THIS WEEK LAST SEASON | +$4,538,447.04 | |||
PERCENTAGE +/- THIS WEEK LAST SEASON | + 19.43% |
*Broadway Grosses courtesy of The Broadway League.
Podcasting
Ken created one of the first Broadway podcasts, recording over 250 episodes over 7 years. It features interviews with A-listers in the theater about how they “made it”, including 2 Pulitzer Prize Winners, 7 Academy Award Winners and 76 Tony Award winners. Notable guests include Pasek & Paul, Kenny Leon, Lynn Ahrens and more.