I’m gonna say it . . .
. . . cuz I know you’re all thinking it.
Sondheim is the Shakespeare of the American Musical Theater.
(Wait for it. Wait for it.)
Like Bill’s, Sondheim’s material is so incredibly rich. It demands attention. It needs to be studied by anyone who wants to pursue a career in the theater. It needs to be read, listened to, and dissected so we can debate and learn from every little detail. It’s that brilliant.
(Here it comes.)
But like Shakespeare’s, it’s not that exciting to watch.
Ok, ok, before you call me a heathen, I know that most of you think the same thing, so don’t even start.
I’ve got the attendance and recoupment records for all of Sondheim’s prior productions to back me up.
Brilliance doesn’t always work on Broadway.
Cras tincidunt, diam eu sodales accumsan, nisl metus facilisis dui, eu placerat magna justo sed metus. Donec quis molestie lacus, sed ornare lectus. Phasellus elementum turpis eu tortor dictum, a imperdiet leo varius. Fusce mattis accumsan ullamcorper. Duis vulputate eu nulla in pretium. Suspendisse potenti.
Ken created one of the first Broadway podcasts, recording over 250 episodes over 7 years. It features interviews with A-listers in the theater about how they “made it”, including 2 Pulitzer Prize Winners, 7 Academy Award Winners and 76 Tony Award winners. Notable guests include Pasek & Paul, Kenny Leon, Lynn Ahrens and more.