The asset and liability of doing theater.

What I love about theater is that it is always evolving.  You create this work of art, and then it changes and changes . . . through rehearsals, through previews . . . and even years after opening.  Because it happens live, you can tinker and twist to change with the times (and as your actors will allow).

That makes theater one of the most unique art forms on the planet.

You paint a picture, and hang it in a museum and it’s done.

You write a book, publish it, and that’s it.

And film?  Once that sucker is cut and gets to the opening weekend, might as well move on to the next.

The constantly morphing aspect of what we all do is one of the reasons I love the theater.

And it’s also why I hate it.

Because for obsessive compulsive, perfectionist, Type A personalities, like so many of us, we can tinker forever . . . before a show opens . . . and after a show opens as well.

I recently spoke to a playwright who had been working on a show for almost ten years that hadn’t had a production yet . . . not a showcase, not even a reading, nothing!  Why?  It wasn’t ready yet.

And I talked to another very talented producer of a hit show that has been running for a little while now . . . and I asked him what he was doing next . . . “Next???  I’ve got my hands full just making sure everything is perfect on this one!”

And then there were the writers who have had three small productions of a musical that has never broken through, never gotten great reviews, never even had great audience response . . . but they were still desperate to see it on a bigger stage.  (They were like a couple in a bad relationship – refusing to look at the signs.)

There comes a point with all projects when you have to move on.  Otherwise, you’ll be a one-hit-wonder, or worse, a one never-even-get-in-front-of-an-audience wonder, always wondering what could have been if you had gone on to something else.

While searching for perfection is good, our artistic and producing lives are shorter than we think, so sometimes it’s important to think like film producers.  Make it, open it, and move on . . . especially if it’s your first project.

Because if you look at the careers of successful writers, producers, artists . . . it’s rarely the first show that they are remembered for.  It’s usually their second, third or fourth.

What number are you on?


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Ken created one of the first Broadway podcasts, recording over 250 episodes over 7 years. It features interviews with A-listers in the theater about how they “made it”, including 2 Pulitzer Prize Winners, 7 Academy Award Winners and 76 Tony Award winners. Notable guests include Pasek & Paul, Kenny Leon, Lynn Ahrens and more.