[Broadway Grosses w/e 4/24/2022] Keep On Keepin’ On!
In what was supposed to be the final week of the 2021-2022 Broadway season (click here if you don’t know what I’m talking about), we are averaging 83.73% capacity across the 35 Broadway theaters.
The total gross was $34,204,819.83, which is $524,475.10 less than the week prior.
Check out the grosses for the week ending in April 24, 2022.
| Show Name | Gross | TotalAttn | Capacity | %Capacity |
| A STRANGE LOOP | $385,960.00 | 5,899 | 7,376 | 79.98% |
| ALADDIN | $1,318,222.89 | 13,501 | 13,816 | 97.72% |
| AMERICAN BUFFALO | $596,825.90 | 5,261 | 6,008 | 87.57% |
| BEETLEJUICE | $1,368,436.70 | 10,338 | 12,816 | 80.66% |
| BIRTHDAY CANDLES | $300,256.00 | 4,258 | 5,816 | 73.21% |
| CHICAGO | $713,877.30 | 7,086 | 8,640 | 82.01% |
| COME FROM AWAY | $568,441.78 | 6,336 | 8,368 | 75.72% |
| COMPANY | $672,598.75 | 5,946 | 8,368 | 71.06% |
| DEAR EVAN HANSEN | $691,173.50 | 6,358 | 7,872 | 80.77% |
| FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF | $144,376.96 | 3,828 | 6,184 | 61.90% |
| FUNNY GIRL | $1,147,647.50 | 9,790 | 9,752 | 100.39% |
| HADESTOWN | $1,013,272.10 | 7,347 | 7,344 | 100.04% |
| HAMILTON | $2,445,193.00 | 10,611 | 10,592 | 100.18% |
| HANGMEN | $252,434.50 | 4,764 | 6,416 | 74.25% |
| HARRY POTTER AND THE CURSED CHILD | $1,684,209.60 | 11,711 | 12,976 | 90.25% |
| HOW I LEARNED TO DRIVE | $265,830.00 | 4,003 | 4,459 | 89.77% |
| MACBETH | $1,285,183.00 | 7,333 | 7,357 | 99.67% |
| MJ THE MUSICAL | $1,446,358.60 | 10,574 | 11,096 | 95.30% |
| MOULIN ROUGE! THE MUSICAL | $1,469,431.50 | 10,098 | 10,400 | 97.10% |
| MR. SATURDAY NIGHT | $770,229.00 | 7,504 | 8,337 | 90.01% |
| MRS. DOUBTFIRE | $631,929.00 | 7,078 | 8,272 | 85.57% |
| PARADISE SQUARE | $253,373.74 | 4,791 | 7,848 | 61.05% |
| PLAZA SUITE | $1,684,725.00 | 7,728 | 7,800 | 99.08% |
| POTUS: OR, BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM ALIVE | $313,367.25 | 7,055 | 10,157 | 69.46% |
| SIX | $1,287,373.00 | 8,088 | 8,248 | 98.06% |
| TAKE ME OUT | $424,286.65 | 4,265 | 4,680 | 91.13% |
| THE BOOK OF MORMON | $1,018,319.82 | 7,984 | 8,528 | 93.62% |
| THE LION KING | $2,000,821.00 | 13,411 | 13,568 | 98.84% |
| THE LITTLE PRINCE | $280,886.75 | 3,263 | 11,856 | 27.52% |
| THE MINUTES | $401,095.00 | 4,318 | 5,336 | 80.92% |
| THE MUSIC MAN | $3,464,388.40 | 12,177 | 12,200 | 99.81% |
| THE PHANTOM OF THE OPERA | $850,939.64 | 8,350 | 12,840 | 65.03% |
| THE SKIN OF OUR TEETH | $174,880.00 | 4,656 | 8,464 | 55.01% |
| TINA – THE TINA TURNER MUSICAL | $969,832.00 | 8,128 | 11,824 | 68.74% |
| WICKED | $1,908,644.00 | 13,958 | 14,456 | 96.56% |
For more behind-the-scenes of the industry, follow me on Instagram: @kendavenportbway
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Ken created one of the first Broadway podcasts, recording over 250 episodes over 7 years. It features interviews with A-listers in the theater about how they “made it”, including 2 Pulitzer Prize Winners, 7 Academy Award Winners and 76 Tony Award winners. Notable guests include Pasek & Paul, Kenny Leon, Lynn Ahrens and more.
