Broadway edged up 0.88% to $38.56M as the post-Tony bump proved modest overall, though it produced one of the season’s most dramatic single-week surges for The Book of Mormon, which exploded $1.52M to $2.24M — its strongest week in years — as Tony attention and the star-studded anniversary celebrations drove demand. Hamilton held near its Tony-week level at $2.11M, while the newly minted Best Revival of a Play Death of a Salesman remained a powerhouse at $1.78M on a seven-performance week to a sold-out house. Ragtime jumped $133K to $1.43M following its Best Revival of a Musical win, and this year’s Best Musical Schmigadoon! surged $179K to $1.14M. Giant had a strong post-Tony week, climbing $281K to $1.38M, and Chess jumped $279K to $1.37M.

Elsewhere, the market reflected typical mid-June patterns as summer tourism begins to reshape demand. The Lion King and The Lost Boys held steady at $1.94M and $1.37M respectively, and Oh, Mary! continued its strength among plays at $1.52M. Harry Potter and the Cursed Child settled back to $1.39M after last week’s Tony-driven spike, and Wicked eased to $1.30M. Compared to the same week last season, grosses were down just 1.64% – a notably narrow gap that suggests the new season is finding its footing.

You can find the rest of the figures below, courtesy of The Broadway League.