Producer Of Young Frankenstein Make Boo-Boo.
He cited the critical backlash (Brantley mentioned the $450 in the 2nd paragraph of his review) as well as public perception that all tickets were $450 as a few of the repercussions of his poor judgement.
I could have told him that was going to happen.
These were the same problems that The Producers faced when they announced their sky-high prices seven years ago, which begs the question . . . how could he make this mistake?
In 1990, my high school baseball team was playing its biggest rival, Pingree (eww). We were down by one run in the 9th inning. One of my best friends, Jim O’Connor, was on third base. During some kind of distraction, Jim tried to steal home. It took us all by surprise, but there he was, tearing towards home plate, trying to tie up the game.
He got thrown out in an ultra close call. We lost.
My coach got frustrated, looked at Jimmy questionably, and then said to his assistant, “Why the &#$^ did he do that?” The assistant spit out a sunflower seed and said, “If he would have made it, he would have been a hero.”
Jimmy was a great athlete. He knew baseball and he knew his skills. He surveyed the scene, and made a decision . . . which unfortunately for us, turned out to be the wrong one.
Robert Sillerman was almost a hero too. Can you imagine how much faster the show would have recouped with those $450 tickets if YF had been received as well as The Producers?
But Sillerman got called out at home.
So what. It happens all the time. People make mistakes. Robert Sillerman is an incredible business man, and even incredible business men who run multi-billion dollar companies make mistakes.
And so will you. You’ll make a lot of them. You’ll produce a bad show, you’ll hire the wrong person, and yes, you’ll price something incorrectly.
This business is not about not making a mistake. You just have to to make sure you make more right decisions than wrong ones. Producing is cumulative. People don’t judge you by one decision or one show. If they did, this guy would be in big trouble. Look at how long his first show ran. Then look at the success of his last three.
As much as I disagreed with Sillerman charging $450/ticket, I’ve got to to give him credit. He made a mistake but owned up to it (and Mel should spend more time writing better shows than pointing his finger at others).
Who knows, when Blazing Saddles opens, he may want $1000/ticket.
Hopefully he’ll hire me as a consultant before he does.
And hopefully I won’t make a mistake.
On June 30th, A Beautiful Noise will play its final…
Ken created one of the first Broadway podcasts, recording over 250 episodes over 7 years. It features interviews with A-listers in the theater about how they “made it”, including 2 Pulitzer Prize Winners, 7 Academy Award Winners and 76 Tony Award winners. Notable guests include Pasek & Paul, Kenny Leon, Lynn Ahrens and more.