Broadway Grosses w/e 3/24/2019: Ain’t Too Shabby
The overall box office for last week rose 4% to $34.2M for a total of 35 productions.
A standout was the newly-opened Ain’t Too Proud, which grossed $1,102,218 despite comps for opening night and press. Several new shows began previews last week, including Oklahoma! and Burn This, which both played to full houses.
You can find the rest of the figures below, courtesy of The Broadway League:
| Show Name | GrossGross | TotalAttn | %Capacity | AvgPdAdm |
| AIN’T TOO PROUD | $1,102,217.66 | 11,378 | 99.88% | $96.87 |
| ALADDIN | $1,421,787.00 | 13,732 | 99.39% | $103.54 |
| ANASTASIA | $920,068.07 | 8,948 | 97.86% | $102.82 |
| BE MORE CHILL | $719,143.20 | 6,562 | 92.06% | $109.59 |
| BEAUTIFUL | $645,420.00 | 7,154 | 87.16% | $90.22 |
| BURN THIS | $850,974.75 | 6,608 | 100.00% | $128.78 |
| CHICAGO | $655,088.20 | 7,687 | 88.97% | $85.22 |
| COME FROM AWAY | $1,039,422.66 | 8,544 | 102.10% | $121.66 |
| DEAR EVAN HANSEN | $1,393,377.05 | 7,980 | 101.37% | $174.61 |
| FROZEN | $1,278,877.00 | 13,202 | 98.00% | $96.87 |
| GARY: A SEQUEL TO TITUS ANDRONICUS | $392,644.00 | 5,145 | 95.45% | $76.32 |
| HADESTOWN | $235,393.50 | 1,836 | 100.00% | $128.21 |
| HAMILTON | $2,949,405.00 | 10,738 | 101.61% | $274.67 |
| HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO | $1,365,612.50 | 9,732 | 100.00% | $140.32 |
| HILLARY AND CLINTON | $404,880.50 | 5,164 | 93.74% | $78.40 |
| KING KONG | $802,074.24 | 10,807 | 77.73% | $74.22 |
| KING LEAR | $541,762.50 | 6,074 | 82.72% | $89.19 |
| KINKY BOOTS | $945,114.85 | 10,459 | 91.81% | $90.36 |
| KISS ME, KATE | $726,010.60 | 7,876 | 98.65% | $92.18 |
| MEAN GIRLS | $1,256,246.55 | 9,525 | 97.19% | $131.89 |
| MY FAIR LADY | $770,760.50 | 7,242 | 84.68% | $106.43 |
| NETWORK | $1,027,708.60 | 7,147 | 100.59% | $143.80 |
| OKLAHOMA! | $487,373.00 | 4,475 | 98.66% | $108.91 |
| PRETTY WOMAN: THE MUSICAL | $766,846.00 | 7,465 | 79.89% | $102.73 |
| THE BAND’S VISIT | $643,357.00 | 7,746 | 93.19% | $83.06 |
| THE BOOK OF MORMON | $1,084,614.50 | 8,707 | 103.95% | $124.57 |
| THE CHER SHOW | $882,908.70 | 9,048 | 81.96% | $97.58 |
| THE FERRYMAN | $564,472.37 | 5,982 | 73.38% | $94.36 |
| THE LION KING | $2,128,040.00 | 13,568 | 100.00% | $156.84 |
| THE PHANTOM OF THE OPERA | $1,084,648.50 | 12,182 | 94.88% | $89.04 |
| THE PROM | $573,648.65 | 6,971 | 83.39% | $82.29 |
| TO KILL A MOCKINGBIRD | $1,507,684.72 | 11,655 | 101.52% | $129.36 |
| WAITRESS | $712,017.30 | 7,361 | 88.05% | $96.73 |
| WHAT THE CONSTITUTION MEANS TO ME | $387,553.48 | 4,584 | 98.28% | $84.54 |
| WICKED | $1,937,089.00 | 15,388 | 99.87% | $125.88 |
| TOTALS | $34,204,242.15 | 298,672 | 93.94% | $111.77 |
| +/- THIS WEEK LAST SEASON | -$1,210,418.12 | |||
| PERCENTAGE +/- THIS WEEK LAST SEASON | -3.42% |
Today’s blog was guest-written by Ryan Conway, General Manager for DTE Management. Find out more here!
Podcasting
Ken created one of the first Broadway podcasts, recording over 250 episodes over 7 years. It features interviews with A-listers in the theater about how they “made it”, including 2 Pulitzer Prize Winners, 7 Academy Award Winners and 76 Tony Award winners. Notable guests include Pasek & Paul, Kenny Leon, Lynn Ahrens and more.
