[Broadway Grosses w/e 6/12/2022]A Round of Applause
Countdown to The Tony Awards: 362 days (estimated)
For my 75th Annual Tony Awards recap, click here.
For the week ending June 12th, 31 Broadway shows brought in a total of $31,588,946.55 (previous week $29,555,352.41). Capacity also increased last week (from 80.70% previous week to 83.54% week ending 6/12).
Could this be due to out-of-town celebrities, presenters, and special guests in New York for the Tony Awards?
We said happy trails to two shows this week: How I Learned To Drive and Take Me Out.
Check out the individual show grosses for the week ending in June 12, 2022.
| Show Name | Gross | TotalAttn | Capacity | %Capacity |
| A STRANGE LOOP | $676,315.50 | 6,249 | 6,384 | 97.89% |
| ALADDIN | $1,273,005.65 | 13,159 | 13,816 | 95.24% |
| AMERICAN BUFFALO | $460,041.96 | 4,478 | 6,008 | 74.53% |
| BEETLEJUICE | $1,160,587.50 | 9,870 | 12,816 | 77.01% |
| CHICAGO | $548,919.39 | 6,155 | 8,640 | 71.24% |
| COME FROM AWAY | $592,763.50 | 6,425 | 8,368 | 76.78% |
| COMPANY | $640,297.03 | 6,195 | 8,368 | 74.03% |
| DEAR EVAN HANSEN | $587,266.80 | 6,193 | 7,872 | 78.67% |
| FUNNY GIRL | $1,116,695.25 | 8,379 | 9,752 | 85.92% |
| GIRL FROM THE NORTH COUNTRY | $274,733.50 | 3,582 | 5,586 | 64.12% |
| HADESTOWN | $878,292.75 | 7,243 | 7,344 | 98.62% |
| HAMILTON | $2,190,665.00 | 10,241 | 10,592 | 96.69% |
| HANGMEN | $293,491.36 | 3,196 | 6,416 | 49.81% |
| HARRY POTTER AND THE CURSED CHILD | $1,481,217.40 | 12,003 | 12,976 | 92.50% |
| HOW I LEARNED TO DRIVE | $288,289.00 | 4,054 | 4,459 | 90.92% |
| MACBETH | $909,344.00 | 6,336 | 7,357 | 86.12% |
| MJ THE MUSICAL | $1,444,056.60 | 10,666 | 11,096 | 96.12% |
| MOULIN ROUGE! THE MUSICAL | $1,235,273.70 | 10,111 | 10,400 | 97.22% |
| MR. SATURDAY NIGHT | $848,030.00 | 6,468 | 8,316 | 77.78% |
| PARADISE SQUARE | $263,146.50 | 4,722 | 7,856 | 60.11% |
| PLAZA SUITE | $1,708,386.60 | 7,783 | 7,800 | 99.78% |
| POTUS: OR, BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM ALIVE | $478,971.75 | 5,899 | 11,608 | 50.82% |
| SIX | $1,116,564.00 | 7,155 | 7,217 | 99.14% |
| TAKE ME OUT | $717,419.65 | 4,630 | 4,648 | 99.61% |
| THE BOOK OF MORMON | $1,003,363.50 | 8,060 | 8,528 | 94.51% |
| THE LION KING | $1,951,072.00 | 13,374 | 13,568 | 98.57% |
| THE MINUTES | $280,802.00 | 3,178 | 5,336 | 59.56% |
| THE MUSIC MAN | $3,411,384.96 | 12,267 | 12,200 | 100.55% |
| THE PHANTOM OF THE OPERA | $965,649.70 | 10,363 | 12,840 | 80.71% |
| TINA – THE TINA TURNER MUSICAL | $931,804.00 | 7,857 | 11,824 | 66.45% |
| WICKED | $1,861,096.00 | 14,273 | 14,456 | 98.73% |
NOTES:
SATURDAY NIGHT resumed performances after a scheduled hiatus.
TAKE ME OUT closed 6/11.
HOW I LEARNED TO DRIVE closed 6/12.
For more behind-the-scenes of the industry, follow me on Instagram: @kendavenportbway
Podcasting
Ken created one of the first Broadway podcasts, recording over 250 episodes over 7 years. It features interviews with A-listers in the theater about how they “made it”, including 2 Pulitzer Prize Winners, 7 Academy Award Winners and 76 Tony Award winners. Notable guests include Pasek & Paul, Kenny Leon, Lynn Ahrens and more.
