Broadway Grosses w/e 3/31/2019: They Posted April 1st, But These Figures Aren’t Foolin’
FThe overall box office for last week jumped by 8% to $36.8M thanks to the addition of a few new musicals and their strong showings out of the gate.
Among the newest spring shows, Beetlejuice and Tootsie played to full houses for each of their first two preview performances.
You can find the rest of the figures below, courtesy of The Broadway League:
| Show Name | GrossGross | TotalAttn | %Capacity | AvgPdAdm |
| AIN’T TOO PROUD | $1,330,046.28 | 11,176 | 98.10% | $119.01 |
| ALADDIN | $1,458,901.50 | 13,751 | 99.53% | $106.09 |
| ANASTASIA | $1,012,316.30 | 8,744 | 95.63% | $115.77 |
| BE MORE CHILL | $713,253.90 | 6,445 | 90.42% | $110.67 |
| BEAUTIFUL | $590,930.50 | 6,370 | 77.61% | $92.77 |
| BEETLEJUICE | $332,008.36 | 2,700 | 100.00% | $122.97 |
| BURN THIS | $913,342.15 | 7,374 | 97.64% | $123.86 |
| CHICAGO | $592,228.40 | 7,132 | 82.55% | $83.04 |
| COME FROM AWAY | $1,023,325.70 | 8,537 | 102.02% | $119.87 |
| DEAR EVAN HANSEN | $1,379,358.25 | 7,991 | 101.51% | $172.61 |
| FROZEN | $1,356,366.00 | 13,235 | 98.24% | $102.48 |
| GARY: A SEQUEL TO TITUS ANDRONICUS | $433,909.00 | 5,905 | 95.86% | $73.48 |
| HADESTOWN | $734,908.05 | 7,192 | 97.93% | $102.18 |
| HAMILTON | $3,237,554.00 | 10,756 | 101.78% | $301.00 |
| HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO | $1,825,771.50 | 12,976 | 100.00% | $140.70 |
| HILLARY AND CLINTON | $434,349.50 | 5,923 | 94.08% | $73.33 |
| KING KONG | $788,044.47 | 10,529 | 75.73% | $74.85 |
| KING LEAR | $507,528.50 | 6,598 | 89.85% | $76.92 |
| KINKY BOOTS | $1,041,819.75 | 10,554 | 92.64% | $98.71 |
| KISS ME, KATE | $751,825.90 | 7,745 | 97.01% | $97.07 |
| MEAN GIRLS | $1,300,736.40 | 9,746 | 99.45% | $133.46 |
| MY FAIR LADY | $747,442.50 | 7,213 | 84.34% | $103.62 |
| NETWORK | $1,045,590.60 | 7,117 | 100.17% | $146.91 |
| OKLAHOMA! | $537,287.00 | 5,258 | 101.43% | $102.18 |
| PRETTY WOMAN: THE MUSICAL | $766,890.50 | 7,595 | 81.28% | $100.97 |
| THE BAND’S VISIT | $665,646.00 | 7,515 | 90.41% | $88.58 |
| THE BOOK OF MORMON | $1,057,791.60 | 8,622 | 102.94% | $122.69 |
| THE CHER SHOW | $872,977.00 | 8,611 | 78.00% | $101.38 |
| THE FERRYMAN | $571,280.50 | 6,039 | 74.08% | $94.60 |
| THE LION KING | $2,158,754.00 | 13,568 | 100.00% | $159.11 |
| THE PHANTOM OF THE OPERA | $1,068,680.48 | 12,074 | 94.03% | $88.51 |
| THE PROM | $580,101.60 | 6,927 | 82.86% | $83.74 |
| TO KILL A MOCKINGBIRD | $1,718,214.84 | 11,643 | 101.42% | $147.57 |
| TOOTSIE | $354,746.00 | 3,204 | 98.28% | $110.72 |
| WAITRESS | $716,454.00 | 7,354 | 87.97% | $97.42 |
| WHAT THE CONSTITUTION MEANS TO ME | $276,611.48 | 4,017 | 98.43% | $68.86 |
| WICKED | $1,925,972.00 | 15,377 | 99.80% | $125.25 |
| TOTALS | $36,822,964.51 | 313,513 | 93.59% | $113.05 |
| +/- THIS WEEK LAST SEASON | -$5,193,723.84 | |||
| PERCENTAGES +/- THIS WEEK LAST SEASON | -12.36% |
Today’s blog was guest-written by Ryan Conway, General Manager for DTE Management. Find out more here!
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